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Grace had previously worked with Soyuzmultfilm on an animated version of the Welsh folktale cycle, the Mabinogion , and he turned to them again for the Shakespeare project, feeling “if we were going to animate Shakespeare in a thirty-minute format, then we had to go to a country that we knew creatively and artistically could actually deliver. And in my view, frankly, there was only one country that could do it in the style that we wanted, that came at it from a different angle, a country to whom Shakespeare is as important as it is to our own.

This style went with enormous flair and verve and comic panache; but a lot of it was kitsch. Actors were hired to recite abbreviated versions of the plays written by Leon Garfield , who had written a series of prose adaptations of Shakespeare’s plays for children in , Shakespeare Stories. According to Garfield, editing the plays down to thirty minutes whilst maintaining original Shakespearean dialogue was not easy; “lines that are selected have to carry the weight of narrative, and that’s not always easy.

It frequently meant using half a line, and then skipping perhaps twenty lines, and then finding something that would sustain the rhythm but at the same time carry on the story. The most difficult by far were the comedies. In the tragedies, you have a very strong story going straight through, sustained by the protagonist. In the comedies, the structure is much more complex. Screened in dozens of countries, The Animated Tales is Shakespeare as cultural educational television available to all.